Who is AWB

Aaron W. Baumgardner is a Catawba potter and basketmaker whose practice centers on land-based materials, community knowledge, and the renewal of Indigenous relationships to place. His work is rooted in Catawba pottery—an unbroken tradition extending back more than 4,000 years—and in the revitalization of plant-based basketry using primarily rivercane and white oak. Moving to Catawba homelands in late 2021 after studying and working as a plant ecologist, Aaron experienced a shift from a Western scientific framework of “observation from a distance” to an intimate, reciprocal practice of stewardship. Across both media, he approaches traditional arts as living, adaptive practices shaped by relationships between artist, material, and community.

Lineage & Apprenticeship

Inspired by the legacy of his great-great-grandmother, Sallie Rebecca Brown Beck, her mother, Rachel Wysie George Brown, and the generations of Catawba women who sustained these traditions, Aaron’s path into cultural work was immediate and immersive. He began working with clay in 2022 at the Catawba Cultural Center, learning from elders and master potters, including Jean Laney Harris Folk Heritage Awardees Chief Bill Harris and the late Caroleen Sanders. Since July 2025, he has continued his rigorous training through an ongoing apprenticeship with Catawba potter Elizabeth Harris.

Basketry Practice & Revitalization

Aaron’s exploration of basketry emphasizes plaited forms where mathematical rhythm, cultural symbolism, and ecology converge. He began studying the demanding discipline of Southeastern basketry in 2023 under Jeff Gottleib and Eastern Band of Cherokee basketmakers Gabe Crow, Waylon Long, and Michelle Long. Notably, he became the first Catawba citizen to create a traditional rivercane basket in over a century. He recently finished apprenticing with Nansemond basketweaver Desmond Ellsworth, studying advanced plaited techniques such as diagonal twill and double-wall contruction through intense mentorship.

Research, Community, & Care

Bridging art and environmental stewardship, Aaron leverages his background in plant ecology to collaborate with land trusts and conservation organizations across the Catawba River Basin, supporting rivercane restoration and long-term land access for Tribal artists. He is also facilitating a blind research project with nine Catawba potters testing historical temper materials, culminating in an upcoming exhibition and research presentation at Davidson College Art Galleries. As a teacher, he has guided more than 20 students through Cultural Center programs and his 2025 Running Strong Dreamstarter project, ensuring vital techniques are passed forward.

Exhibitions & Honors

Aaron’s work has appeared in numerous group exhibitions, including the 9/9 Native South Art Show at the Museum of the Southeast American Indian (2025-26) and the current Stories Told by Breath exhibition at the Gregg Museum of Art & Design (2026). His pieces are held in permanent collections of the Catawba Cultural Center, ISWA Head Start, and the University of South Carolina Native American Studies Center.

He is a recipient of the 2024 South Carolina Arts Commission Emerging Artist Award, the 2025 Native Arts and Cultures Foundation LIFT Award, the 2025 National Arts Futures Fellowship, and the 2026 Regional Arts Organizations Walking Together Grant. He was nominated for the 2026 Jean Laney Harris Folk Heritage Award for his work returning white oak and rivercane basketry to active practice within the community, and was affirmed by the late Catawba basketweaver Faye George Greiner as “a true master” for carrying these traditions forward.

Aaron’s CV